Entertainment

LeftRight Music Group is a Platform Aiding the Success of Musicians from Third-World

Published

5 years ago

August 7, 2020

Luxury. Technology. Advancement. Opportunities. Growth. Comfort. Peace of Mind. Strong Economy. Stable Jobs.

These are the terms associated with countries, including the United States, Western European countries, New Zealand, Canada, Australia, and Japan. People living here spend luxurious lives and enjoy peace of mind. They are exposed to fantastic opportunities and have many chances to succeed in life. The citizens of these countries have access to stable markets and have a stable lifestyle.

Despair. Struggle. Lack of Opportunities. Crime. Failures. Weak Economy. Unstable Lifestyles. Discomfort.

These are the terms that perfectly describe the life of people in third-world countries. The people who reside in these parts of the world are mostly on a ‘survival’ mode. They do not have access to opportunities, and they have to fight to get their fundamental rights. These lands give birth to some amazingly talented individuals. However, due to lack of opportunities, exposure, and resources kill their dreams, and the world loses pure talent.

Whether it is politics, corporate world, industrial sector, or field of arts, the citizens of weak nations and communities have to face many more adversities than a person living an economically-stable country. While music is one of those sectors in the world, where factors like ethnicities, religion, nationality, and backgrounds do not matter, but underprivileged yet talented people have to fight their way into this industry.

There was no proper medium through which such musicians could show the world their potential until LeftRight Music Group came into the picture. It is a music and entertainment company based in Manhattan, New York, which has been established to represent artists in the United States from all across the globe. It is one of those record labels that has come into the industry to specifically provide the musicians from the third-world a chance to make a name for themselves in this industry.

Founded by Hans Tondereau, a record producer, this company is currently representing a Spanish-Haitian musician, Merlin Zapravo. He was a musician who was struggling to survive in the music industry in the United States, but after being signed by LeftRight Music Group (LRMG), he came close to success. With this artist, the company has signed a 50/50 recording contract. The catalog of LRMG comprises of one EP and seven singles with Merlin Zapravo.

Hans Tondereau is planning to expand LRMG further and has partnered with several notable companies, including Jade Skye Music, Hat Label Publishing, a FIVONI. Adding to the company’s credibility is its partnership with brands such as LRMGx, THE BOXKC, and Berlin Motion.

A Platform for True Talent, A Hope for Strugglers

Just like Merlin Zapravo, the company expects to sign other musicians too. Even though it is not only restricted to promoting third-world musicians, but its goal is to represent the ones who do not get a chance to succeed in this world. Hans Tondereau wanted to ‘inspire independent artists with little to no budget or knowledge to support their visions.’ LRMG is doing exactly that. It signed Merlin Zapravo in 2017, and an EP, “Certified Baller,” was released in 2018. It was then followed by the release of eight singles. These included two 2018 releases of “I’ll Be There” and “Dance With Me,” three 2019 releases including “Be Yourself, “ “Din Din,” and “Malandren,” and two recent releases in 2020, including “The Deal” and “Money.”

Hans became the first self-published artist to invest in other musicians while focusing on his own. Just like the Spanish-Haitian musician, he hopes to sign other artists who are packed with talent and energy but are unable to get a satisfying opportunity.

To cover all aspects of signing an artist, as well as promotion that generates money, LeftRight Music Group moves on from a leaf to a multiplied Rights Agreement. The agreement includes the income from recordings, live performance, publishing and expense, rights for recording, distribution, and touring.

LeftRight Music Group Corporation with LRMG X, Hiilands Music, Rapso Records as its subsidiaries, first came into the picture on May 18, 2017, and it signed its first artist. The music entertainment company acquired its present subsidiaries in 2018 and was officially launched on July 29, 2019. By offering music production, music distribution, and artist services, LRMG is playing a pivotal role in supporting and promoting the creative and financial vitality of independent artists of all music genres. The platform has its exclusive focus on artists from the third-world and is working to help such artists reach their potential and connect with their audiences globally.

Entertainment

Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians

Published

5 days ago

January 16, 2026

Jonathan Grilli

Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.

Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.

Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.

Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.

For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.

Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.

This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.

Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.

Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.

Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.

Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.

If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.