Entertainment
LeftRight Music Group is a Platform Aiding the Success of Musicians from Third-World
Luxury. Technology. Advancement. Opportunities. Growth. Comfort. Peace of Mind. Strong Economy. Stable Jobs.
These are the terms associated with countries, including the United States, Western European countries, New Zealand, Canada, Australia, and Japan. People living here spend luxurious lives and enjoy peace of mind. They are exposed to fantastic opportunities and have many chances to succeed in life. The citizens of these countries have access to stable markets and have a stable lifestyle.
Despair. Struggle. Lack of Opportunities. Crime. Failures. Weak Economy. Unstable Lifestyles. Discomfort.
These are the terms that perfectly describe the life of people in third-world countries. The people who reside in these parts of the world are mostly on a ‘survival’ mode. They do not have access to opportunities, and they have to fight to get their fundamental rights. These lands give birth to some amazingly talented individuals. However, due to lack of opportunities, exposure, and resources kill their dreams, and the world loses pure talent.
Whether it is politics, corporate world, industrial sector, or field of arts, the citizens of weak nations and communities have to face many more adversities than a person living an economically-stable country. While music is one of those sectors in the world, where factors like ethnicities, religion, nationality, and backgrounds do not matter, but underprivileged yet talented people have to fight their way into this industry.
There was no proper medium through which such musicians could show the world their potential until LeftRight Music Group came into the picture. It is a music and entertainment company based in Manhattan, New York, which has been established to represent artists in the United States from all across the globe. It is one of those record labels that has come into the industry to specifically provide the musicians from the third-world a chance to make a name for themselves in this industry.
Founded by Hans Tondereau, a record producer, this company is currently representing a Spanish-Haitian musician, Merlin Zapravo. He was a musician who was struggling to survive in the music industry in the United States, but after being signed by LeftRight Music Group (LRMG), he came close to success. With this artist, the company has signed a 50/50 recording contract. The catalog of LRMG comprises of one EP and seven singles with Merlin Zapravo.
Hans Tondereau is planning to expand LRMG further and has partnered with several notable companies, including Jade Skye Music, Hat Label Publishing, a FIVONI. Adding to the company’s credibility is its partnership with brands such as LRMGx, THE BOXKC, and Berlin Motion.
A Platform for True Talent, A Hope for Strugglers
Just like Merlin Zapravo, the company expects to sign other musicians too. Even though it is not only restricted to promoting third-world musicians, but its goal is to represent the ones who do not get a chance to succeed in this world. Hans Tondereau wanted to ‘inspire independent artists with little to no budget or knowledge to support their visions.’ LRMG is doing exactly that. It signed Merlin Zapravo in 2017, and an EP, “Certified Baller,” was released in 2018. It was then followed by the release of eight singles. These included two 2018 releases of “I’ll Be There” and “Dance With Me,” three 2019 releases including “Be Yourself, “ “Din Din,” and “Malandren,” and two recent releases in 2020, including “The Deal” and “Money.”
Hans became the first self-published artist to invest in other musicians while focusing on his own. Just like the Spanish-Haitian musician, he hopes to sign other artists who are packed with talent and energy but are unable to get a satisfying opportunity.
To cover all aspects of signing an artist, as well as promotion that generates money, LeftRight Music Group moves on from a leaf to a multiplied Rights Agreement. The agreement includes the income from recordings, live performance, publishing and expense, rights for recording, distribution, and touring.
LeftRight Music Group Corporation with LRMG X, Hiilands Music, Rapso Records as its subsidiaries, first came into the picture on May 18, 2017, and it signed its first artist. The music entertainment company acquired its present subsidiaries in 2018 and was officially launched on July 29, 2019. By offering music production, music distribution, and artist services, LRMG is playing a pivotal role in supporting and promoting the creative and financial vitality of independent artists of all music genres. The platform has its exclusive focus on artists from the third-world and is working to help such artists reach their potential and connect with their audiences globally.
Entertainment
When Motherhood Meets the Mic: Stacey Jackson’s Story Sings Its Own Soundtrack
Stacey Jackson doesn’t take herself too seriously, and that might be the secret to her success. She’s the first to admit that her latest project, How a Gangsta Rapper Made Me a Better Mom (Integrated Musical Edition), began with laughter. “The title came from a moment of total chaos and comedy in my real life, juggling my kids, my career, and all the curveballs in between,” she says. “At the point I found myself working with an actual ‘gangsta rapper’, and the clash of worlds was so surreal, my son blurted out ‘Mom, how about calling the book How A Gangsta Rapper Made Me a Better Mom?’ And it just stuck with me.”
It’s the kind of moment that defines Jackson’s brand of honesty, a combination of humor and heart that turns the chaos of daily life into something both relatable and inspiring. “The phrase may have started as a bit of a joke… but the more I thought about it, the more I realised how true it was. That experience (and the people I met along the way) genuinely changed how I parent, how I view and teach my kids about drive and ambition, and how I navigate life as a woman trying to do it all. So the title is cheeky, yes but it’s also honest.”
That mix of playfulness and sincerity runs through the entire project. How a Gangsta Rapper Made Me a Better Mom isn’t just a memoir it’s a musical novel, a storytelling format that merges fiction, sound, and emotion. “Honestly? I’ve always seen life like one big music video, scenes, moods, characters and music has always been the emotional thread that ties it all together for me,” Jackson says. “So when I started writing this story, I couldn’t not hear the songs that went with it. I thought, what if the characters in the book had their own voices literally through music? That’s when it hit me: what if a novel could be heard as much as read?”

It’s a question only Jackson could ask and actually answer. The book allows readers to hear songs as they appear in the story. “For the paperback we’ve included QR codes throughout the story where the song appears (direct links to all music platforms on an e-book) so that readers can instantly listen to the tracks that align with certain scenes or characters,” she explains. “For the audiobook, we took it a step further: the music is actually woven into the narration. The tracks are part of the whole immersive experience much like a film score or a musical.”
Her confidence in crossing genres from pop to publishing to tech innovation didn’t come from comfort zones. Jackson credits her past collaborations for teaching her how to take risks. “Working with someone like Snoop was a game-changer,” she says. “It showed me what it meant to blend worlds, to find common ground through music even when you come from totally different backgrounds. That spirit of collaboration and that sense of humour and grit absolutely influenced the tone of the story. You’ll see it in the character of ‘The Most Famous Rapper in the World’ he’s not based on Snoop, but let’s just say I borrowed some of that larger-than-life charisma.”
Behind the glitz of the project lies a deeply personal truth: Jackson knows what it’s like to be stretched thin, to juggle family, art, and the expectations of the world. “While the plot is fictional, the emotional heart of it is deeply personal,” she says. “Like Stephanie Bloom, I’ve had to juggle a million roles: mom, wife, performer, businesswoman all while chasing dreams that sometimes felt a bit… delusional. I know what it’s like to be underestimated, to start again, and to fight for your creative voice.”

That battle fought with humor and resilience fuels the book’s message. “At its core, it’s about second chances, finding your voice, and refusing to let age, motherhood, or society box you in,” Jackson says. “It’s about stepping into your power, even if it looks messy or unconventional. It’s also about grief, resilience, and the beauty of reinventing yourself and doing it with humour and heart.”
But make no mistake: this isn’t just an emotional journey. It’s also a technical feat. “Syncing the timing of the book release with the music production was a bit like conducting an orchestra while tap dancing,” she says with a laugh. “Then there were the logistics of making sure QR codes worked… and that the audiobook format allowed music integration without disrupting the listening experience. It was a lot of back-and-forth with engineers, designers, and tech partners. But I had an amazing team, and we just kept pushing boundaries until it all came together.”
Like her heroine, Jackson isn’t content to stay still. She’s already imagining future chapters, sequels, new formats, fresh reinventions. “I really do feel that audiences today want more than just a book or an album; they want experiences,” she says. “We’re already used to streaming, binge-watching, interacting across platforms… So why not apply that to storytelling? For me, this is just the beginning.”

And for someone like Stacey Jackson whose career has thrived on laughter, chaos, and pure creative courage it’s easy to believe her story is only growing stronger.
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